Showing posts with label humor. Show all posts
Showing posts with label humor. Show all posts

Friday, January 16, 2015

Review: The Diary of a Nobody - Weedon Grossmith and George Grossmith



Original Publication Date: 1888 Genre: Victorian, fiction, humorous Topics: Suburbia, middle-class, London

Review by: Liz Inskip-Paulk (www.ravingreader.workpress.com



"Why should I not publish my diary? I have often seen reminiscences of people I have never even heard of, and I fail to see—because I do not happen to be a 'Somebody'—why my diary should not be interesting."

Although this was a reread, it was a reread from A Long Time Ago and so it ended up being more or less a New Read in the end. And this was fine, as I loved this book. I know it was written in the late Victorian era, but it was so funny that I burst out laughing at times which led to some strange looks when I was on the elliptical at the gym. I couldn’t help myself though, and TBH, it was that funny to me that I can neither confirm nor deny that snorting out loud did occur in public.


The Laurels - where the Pooter family reside.
This is a fictional diary of a lower middle-class man living on the outskirts of London, married with a grown-up son and a wife who loves him despite his flaws. (He doesn’t acknowledge these flaws though…) Charles Pooter is the diarist, and he lives a modest existence as a city clerk in an office where he’s been working for the past 20 years without much professional recognition, and he begins journaling as he secretly thinks that someone somewhere will publish his diary for its literary worth. He’s a nice guy, basically, but has some insufferable snobbish airs which stem only from his own personal social insecurity and not from malice.
Adult son William (and then later called Lupin) is rather a gadabout creature who drinks, gambles and makes somewhat brash decisions, but who receives the general adoration from his parents (which becomes somewhat tempered after Lupin movies in to his childhood home due to losing his job). Wife Carrie is portrayed as a sweet Victorian wife, but readers can see (through Mr. Pooter’s diary descriptions) that perhaps she is not quite as quiet and adoring of her husband as he writes. It’s all very farcical, but done in such a way that it’s fresh and still very very funny in parts.

Mr. Pooter’s diary chronicles about 15 months of his life and details his thinking about his life in London as a clerk and the sometimes hilarious social misfortunes that occur to him, typical things that happen to anyone but which, when they happen to Mr. Pooter, can completely shape his day and how he sees it. It’s a little bit like reading Basil Fawlty’s diary (if you remember that TV series). He does his best, but things consistently go wrong for him. Despite this, his family still loves him all the same.
George (right) and Weedon Grossmith
Written by brothers and stage performers, Weedon and George Grossmith, this book was first published as a series of excerpts in Punch, and was popular precisely it skewered most of the typical routines of its audience and the increasing social expectations of a booming lower-middle and middle class. However, it wasn’t an instant hit, but its popularity grew over time and since it was first published, this title has never been out of print. It’s also been the influence of other fictional diaries that have since been published: Diary of Adrian Mole series (by Sue Townsend), Bridget Jones’ Diary series (by Helen Fielding) and in other media forms, there’s a clear influence of Mr. Pooter’s ilk on TV shows such as Fawlty Towers. Interestingly enough, Hugh Bonneville (who plays Lord Grantham in Downton Abbey) was given rave reviews for his time as Mr. Pooter in a 2007 BBC dramatization on BBC Four. I wonder if that’s available on-line somewhere… I’ll check in the future.

Download The Diary of a Nobody by Weedon Grossmith and George Grossmith at Project Gutenberg|Librivox|

Friday, April 11, 2014

Review: THE DIARY OF A PILGRIMAGE - JEROME K. JEROME




Original Publication Date: 1895
Genre: Satire/Travel
Topics: Germany, Edwardian, travel, satire
 
Review by : Liz Inskip-Paulk (www.ravingreader.wordpress.com)















Jerome K. Jerome is a Victorian/Edwardian writer most famous for his literary comic masterpiece of “Three Men in a Boat”, but his range was larger than that as evidenced by the enjoyable “Diary of a Pilgrimage”. It’s a novel about an overland journey of two gentlemen who travel to see the Passion Play at Oberammergau in Germany. This play has been performed every ten years since 1634 (almost every year that ends in “0” and is a religious event for the villagers (in perpetuity) to say thanks for sparing them from a plague that ravished the surrounding countryside.

Jerome’s writing is strong, but this is a confusing work as it seemed to vacillate wildly between being pretty funny and satirical (Jerome has a good sense of humor) to serious contemplations of religion to travel writing. It’s rather a roller-coaster as I was never certain what kind of writing the next chapter would bring: would I laugh or would I be asked to consider something serious such as Christianity? (And that’s ok – this book revolves around a Christian play after all.)

Apart from that slight confusion, Jerome writes some fabulous descriptions of some of the characters that he and his traveling companion B come across especially a scene at the beer garden as they wend their way home post-play. It’s a quick read with some similar humor to “Three Men…” but also a surprisingly serious side as well.


Download Diary of a Pilgrimage by Jerome K. Jerome at Project Gutenberg|Librivox|

Thursday, October 25, 2012

Review: A MIDSUMMER NIGHT'S DREAM by William Shakespeare

Original Publication Date: 1590-1596 (written)

Genre: play, fantasy

Topics: love, beauty, fidelity, dreams, magic, gender, reality vs. fantasy













Review:

This was my first Shakespeare ever. Some friends warned me that is better experienced by seeing it on stage, but I found that reading the book and then watching the film adaptation worked well. I was able to go back, re-read and look online for definitions, which allowed to understand turns of phrase like “a mile without the town” or “come, recreant; come thou child”.

If I’d seen the play without reading it first I’d probably miss the images invoked by one of my favorite lines – Titania describing how she got the little Indian boy:
When we have laugh’d to see the sails conceive
And grow big-bellied with the wanton wind
Reading the play also gave me the opportunity to witness what a marvelous “insulter” Shakespeare was. I'd heard rumors, but now I've seen it for myself and am very much tempted to memorize a few... just in case the opportunity to use them presents: “You minimus, of hind’ring knot-grass made”, “O me, you juggler, you canker-blossom, you thief of love!”, “Farewell, thou lob of spirits”.

I haven’t said much about the plot because it became a bit secondary compared to the words (that’s why you have re-reads, right?). Next time around I’ll pay more attention to the social comment on the balance of power in relationships or the loss of individual identity, but just this once, let me appreciate the language alone.
Ay me, for aught that I could ever read,
Could ever hear by tale or history,
The course of true love never did run smooth.
Lysander says this to calm Hermia, after her father forbade them to marry and the King threatened her with death if she disobeyed. Lysander’s basically saying that for as long as there has been true love, there have been difficulties, and I found that strangely comforting.

Bottom & Co.’s play: loved it. How very meta-fictional of Shakespeare (or maybe it was a common gimmick at the time and I’m giving him more credit than he deserves), and how funny their keenness to make sure the audience was not scared by the lion (it’s just a man playing a lion!), or of the scene where Pyramus gets killed:
(…) and for the more better assurance, tell them that I Pyramus am not Pyramus but Bottom the weaver: this will put them out of fear.
Watching the 1999 the movie adaptation after reading the play was a good idea. I not only understood better the comings and goings of the characters, but it was also fun seeing how often the actors used a tone different from the one I used when reading by myself.

Overall a great introduction to Shakespeare and a good starting point: a fun, quick read that still allowed me to appreciate why the Bard's language has been delighting readers and audiences for centuries.

Wednesday, October 3, 2012

Review: A Damsel in Distress

Original Publication Date:  1919

Genre:  Humor, Romance

Topics:  England, Mistaken Identity, Comedy of Manners

Review:  PG Wodehouse is most famous for his Jeeves & Wooster stories, but those are not the only books he ever wrote!  He also wrote other books with light humor and bumbling aristocrats and very capable butlers that did not star either Jeeves or Wooster.  A Damsel in Distress is one of those books.

George Bevan is bored of life - what more is there for him to do when he's a brilliantly rich and successful music composer before age 30?  He's lonely, but all the women he knows are (of course) dull, and he is completely over women.

And then one day, he's in a taxicab and a beautiful woman breathlessly jumps in and asks him to hide her.  He realizes that perhaps he's not completely over women, agrees to help her, and after knocking a chubby man's hat off and causing a scene in the middle of London, he saves her and then loses sight of her without learning her name.

But Bevan is an intrepid man, and he learns that he has fallen in love with Lady Maud Marshmoreton.  He tracks her down to a rural hamlet, and then there's a lot of mistaken identities, and finally, everything works out just as it should.

This book was fun to read, but it wasn't quite as snortingly, laugh-out-loud funny as many of Wodehouse's other books.  Wodehouse is great at comedic scenes, but not (in my opinion) that great at creating particularly differentiated or memorable characters.  You read one of his books, greatly enjoy it, and then promptly forget the details of it.  But that's what makes them so easy to read over and over, I think.

This book, though, was a bit light on the situational comedy.  It was there, of course - there were scenes that were funny.  But George Bevan was also quite moody some of the time, and it seemed like the characters weren't quite as happy and funny as they could have been, and that dampened my enjoyment somewhat.  It's all very good to laugh at bumbling aristocrats when they are happy and good-natured, but when they are sad and feel trod upon, it's not nearly as fun.  And George Bevan was just too perfect.  Wooster is great because he's really well-meaning but cant really do much of anything right.  Whereas Bevan does pretty much everything right, and is pretty dull because of it.  I much prefer Wooster and all the tongue-in-cheek humor that spills from the pages of those books.

This is an entertaining book, and probably perfect for a flight or a day at the beach or when you're in the mood for a rom-com, but just can't commit to Meg Ryan.  It's light and fun, but just not as fun as you may expect from Wodehouse.

Tuesday, September 4, 2012

Review: Queen Lucia

Queen Lucia is the first book in E.F. Benson's Lucia and Mapp series that chronicles the lives of the upper crust in rural England.  It was originally published in 1920.  I really loved Benson's Mrs. Ames, so I was excited to start his most famous series.

I read Queen Lucia as an audiobook.  I don't think I've quite mastered the art of listening to audiobooks, and I admit that sometimes my mind would wander and I'd come back to the book and be a little lost.  But I just kept going, rather than deal with the difficulty of finding the last place that I remembered best.

I didn't love Queen Lucia quite as much as I loved Mrs. Ames, but I have a feeling that's because I read Mrs. Ames first.  Queen Lucia is really just as funny.  Benson shows all the foibles of the upper class.  Lucia is the head of society, but no one really knows how she got there and they all want to dethrone her.  Another character falls for all the latest trends - she used to be into Christian Science, but then she falls in love with yoga, and then when Lucia steals her guru, she is all about spritualism and seances.  The main male character, Georgie, is Lucia's best friend, but he feels like she doesn't truly appreciate him and his devotion.

The problems the characters in this book face are hilarious.  It's fascinating to think of people who spend all day being rich.  Lucia practices the piano, plans garden parties, gossips with her friends, learns yoga and delivers witty insults to her friends and followers.  I think the reason I didn't like this book as much as Mrs. Ames is because Lucia is not as sympathetic or vulnerable a character.  Mrs. Ames was trying to keep up the appearance of being a leader of society while her income decreased, her husband strayed, and her life fell apart around her.  Lucia, on the other hand, is someone I would quite happily see toppled.  She also is a fan of baby talk in regular conversation, saying things like "Me no likey" and other absolutely ridiculous and highly irritating phrases.  I don't understand what is with the English upper class and using baby talk - I remember that Georgiana, Duchess of Devonshire, was known for doing the same.  WHY???? I don't understand.

This was a fun, light book that I think would be a great beach or plane read.  It will make you giggle and smile and feel superior, which is always nice :-)  Definitely looking forward to reading the rest of this series!

Thursday, July 26, 2012

Review: THE HUNTING OF THE SNARK by Lewis Carroll

book cover
Original Publication Date: 1874

Genre: poem

Topics: humor, nonsense, quest













Review:

They sought it with thimbles, they sought it with care;
They pursued it with forks and hope;
They threatened its life with a railway-share;
They charmed it with smiles and soap.
In the explicanation of all that is good, somewhat is left unsold. Your right brain, directing your speech, knows what you want to say, but your left brain doesn't know the words for it. What are you looking for? Be sure to write it down in soap.

In The Hunting of the Snark there are seven characters. One is a butcher but not a butcher and he makes friends with a beaver, which is what he hunts. Beavers are the only animals he kills. Then they hear a jubjub. They fear death and realize they've been friends forever. That was my favorite part.

Actually, I lied. There are ten characters. The best character is the baker, called "Hi," who forgets everything except the most important thing. He tries to warn the crew, but they don't listen, and he winds up being got by the very thing he feared getting.

Blah blah blah. Coming to the point, think of the words read and understand. Now open your mouth and say the first word that comes into your head. Those with a proclivity to one will say "read," while those with an inclination toward the other will say "understand." But only those who know what I'm getting at will say "runderstead."

I rundersteaded The Hunting of the Snark frumiously. The great thing about kids is they don't really care if something makes sense, because to them nothing makes sense. Nothing makes sense to adults, either, but they like to pretend it does. Therefore The Hunting of the Snark is beamish fun for multiple-aged persons!

In conclusion, be careful that your Snarks aren't Boojums.


Get The Hunting of the Snark by Lewis Carroll at Project Gutenberg|YouTube

Wednesday, June 27, 2012

Bab: A Sub-Deb


Original Publication Date:  1916

Genre:  Humor, Coming-of-Age, Romance, America

Topics:  Gilded Age, Debutantes, Lives of the Rich

Review:

Bab:  A Sub-Deb is about Barbara Archibald- a beautiful, slightly ditzy, 17-year-old society miss who is quite annoyed that her "barely older" but officially "out" to society sister Leila gets all the attention (and new clothes and party invites) while Bab must suffer through boarding school for two more years before she can become a debutante.  She is, in her own words, a sub-deb, and it's a rough life.  The problem is that Bab is a very pretty girl who draws all sorts of male attention and gets into a ridiculous number of scrapes and then does her very best to get out of them without any help.  She rarely succeeds at this goal, but gosh, it's fun to watch her try.

The result is a terrifically entertaining romp through pre-WWI (and WWI), upper crust America, with good-hearted, naive "naturaly truthful, as far as possible" Bab, who can't spell to save her life, as our rusted tguide.  From the first adventure (making up a fake fiancee who, to her horror, comes to life and into her life) to the last (saving her father's weapons munitions factory from German spies), I was thoroughly and wildly entertained, often laughing out loud and noting down my favorite lines.

The best thing about Bab is that she balances so well between being a very realistic, overly dramatic teenager and being one of the funniest and most endearing narrators you've ever encountered.  I generally hate ditzy girls in books because they are so overblown and ridiculous.  But I love Bab, even though (or perhaps because) she says things like:
"I shall now put down the events of the day, as although the Manual says nothing of keeping a record, I am sure it is always done. Have I not read, again and again, of the Captain's log, which is not wood, as it sounds, but is a journal or Dairy?"  
I think that's because even though Bab is a little naive, you know that she is also a very resourceful and extremely determined girl.  Even as she gets into mishap after hilarious mishap, she always bounces back and does her best.  She also has fantastically clever methods for getting her own way.  "All is going well, unless our Parents refuse, which is not likely, as we intend to purchase the Tent and Unaforms before consulting them.  It is the way of Parents not to care to see money wasted."

I can tell this is a review that will be littered with quotes everywhere, but I really want you to get a feel for just how wonderful Bab is.  For example, here's a scene Bab describes when she feels that her whole family turned on her when she most needed them (spelling errors and capitalizations are original to the text):
Father was the first down.  HE CAME DOWN WHISTLING.
It is perfectly true.  I could not beleive my ears.
He approached me with a smileing face.
"Well, Bab," he said, exactly as if nothing had happened, "have you had a nice day?"  He had the eyes of a bacilisk, that creature of Fable.
"I've had a lovely day, Father," I replied.  I could be bacilisk-ish also.
I love the way Bab interacts with her family, whom she loves even though she doesn't think they understand her.  "It is always thus in my Familey. They joke about the most serious things, and then get terrably serious about nothing at all, such as overshoes on wet days, or not passing in French grammer, or having a friend of the Other Sex, etcetera."  She particularly loves her father, who is her "only Male Parent and very dear."

I also appreciated how Bab, like all 17-year-olds, confronts some universal fears even in the midst of her crazy escapades.  For example, Bab spends a lot of time contemplating whether she has the capacity to love, "not the ordinery atachment between two married people.  I mean Love - the reel thing."  She sometimes feels like she is a cold-hearted woman because she doesn't feel strongly for any man in her acquaintance.  This is a very real worry for her, and it hints at the broader question of how much a beautiful girl of the early 20th century is allowed to flirt with boys without being deemed a flirt or an ice princess.  But Bab makes sure we don't become too philosophical by ending her contemplation of romance in her life with this rejoinder:  "The terrable thought has come to me that I am fickel.  Fickel or polygamus - which?"

My favorite theme of this book, though, was how feminist it became, without losing the humor and consistency of the character.  Honestly, if Rosie the Riveter were to be made flesh and blood, I think she would come to life as Barbara Archibald.  Bab immediately becomes involved in the war effort, leading a group of girls to form a sort of drill team, learning flag signals, practicing target shooting, and pressuring the young men in their lives to enlist in the war.  Mary Roberts Rineheart was very involved in the war effort, actually going to the front as a reporter, so it was very telling to see her take this light-hearted book and infuse it with some very strident patriotism.  This sometimes bordered on disturbing as Bab suspected all immigrants of being anti-American.  For example, she has a heated exchange with a servant who hails from Germany, and says, "The Emblem of my Country, and I trust of yours, for I understand you are naturalized, although if not you'd better be, floating in the breese AFTER SUNSET."

It's a very humorous exchange in which Bab is bested by said naturalized servant, but also quite telling when you know how Americans acted towards foreigners (particularly the Japanese) during the world wars.

But really, these hints of the very true and difficult problems faced by women and immigrants in the United States during the early 20th century only served to reinforce my love of this book.  It is not only thoroughly entertaining and absolutely hilarious, but it also touches on issues and situations that have universal resonance.  I loved every bit of it, and if I could quote the whole book to you here in this review in the hopes of getting you to download it, I would.  But instead, I will leave you with this slightly longer section:
"Mother, were you ever in Love?" "Love! What sort of Love?"
I sat up and stared at her.  "Is there more than one sort?" I demanded.
"There is a very silly, schoolgirl Love," she said, eyeing me, "that people outgrow and blush to look back on."
"Do you?"
"Do I what?"
"Do you blush to look back on it?"
Mother rose and made a sweeping gesture with her right arm.  "I wash my hands of you!" she said. "You are impertanent and indelacate. At your age I was an inocent child, not troubleing with things that did not concern me. As for Love, I had never heard of it until I came out."
"Life must have burst on you like an explosion," I observed. "I suppose you thought that babies——"
"Silense!" mother shreiked..
I highly recommend that you read this book any time you feel the need for a pick-me-up or a big, hearty laugh.  It's so much fun, and I hope you love it as much as I did.



Wednesday, May 23, 2012

Review: MY MAN JEEVES by PG Wodehouse

book cover
Original Publication Date: 1919

Genre: humor

Topics: class, coming of age













Review:

Bertie Wooster is a lovable, wealthy young man who is totally delusional. He wouldn't be able to solve any problem if he didn't have his imaginary friend to help him out in form of Jeeves, a factotum. Basically, Jeeves is like SIRI before there were cell phones. Whenever Bertie or one of his friends is in trouble, they ask "Jeeves," who appears out of nowhere in front of Bertie and tells him and his friend how to solve their problem.

Okay, so maybe Bertie isn't delusional. OR IS HE? You don't know. My Man Jeeves is a collection of short stories in which Bertie runs into a lot of mishaps, mostly involving women, and the djinni-esque Jeeves suggests ways for him to get out it, mostly involving lying. Over half of the stories, however, have a fellow (I have adopted the nomenclature) named Reggie as the protagonist. I'm guessing this is Jeeves before he became Jeeves--otherwise, why have the stories in a book titled My Man Jeeves? These were actually more interesting than Bertie's stories, because Reggie REALLY gets himself into some scrapes.

These stories were soooo much fun. I listened to the audiobook from Librivox (read by Mark Nelson, who did a really excellent job) and giggle-snorted through every single one--which is not comfortable when you're trying to hold a yoga position, fyi.

I classify these stories as coming-of-age because nearly every one involves a member of the older generation--dad, aunt, etc.--standing between a younger person and what they want. In one, a poet wants to hang out in the country and watch bugs all day, but his aunt threatens to cut him out of her will unless he lives in NYC and tells her about the all parties he goes to. In another, a young artist feels stifled by the presence of his father's masterpiece in his house, so his wife arranges to have it stolen. Mainly these situations are played for comedic effect, but there's a definite sense that the characters are only just beginning to figure out who they are and what they want.

If you haven't read these stories yet, you should. They are super-funny and -entertaining. And as a bonus, suddenly everything on the internet makes sense.

Other reviews of My Man Jeeves at PGP: Patty from A Tale of Three Cities
Read My Man Jeeves on Project Gutenberg




Tuesday, March 27, 2012

Guest Review: MY MAN JEEVES by PG Wodehouse

book cover
Original Publication Date: 1919

Genre: mystery, humor

Topics: class, coming of age













Review by Patty from A Tale of Three Cities:

I hadn't realised that one of my favourite great TV series I've watched over and over again, Jeeves and Wooster, was actually based on the books by PG Wodehouse.  My Man Jeeves would be my first in this collection to devour and feel good about it.

This is a collection of  short stories that starts with the known couple of Wooster and his butler extraordinaire Jeeves.  Primarily describing their adventures in the US, the stories capture the caricatures of the ever so slightly neurotic Wooster on the one hand and of the charismatic and suave Jeeves, trying desperately to get and keep his master out of trouble.

There is an expected template of story--once you get to understand the steps to it, all other stories are in the same format.  Not that repetition takes away anything from the pure enjoyment, far from it!  Wodehouse gets us back to the early 20th century at the upper-class establishments, where the young (nobility, but of a lesser importance) adults take advantage of their station and get into all types of mischief - getting into girl trouble, depending on the relative's financial contribution, trying to make it into the world as a professional -  there is always something for every taste.

The stories are written in a style as if the narrator (in most of the stories Wooster) is a pal of ours and he's talking to us about his misfortunes--the language is very simple and slightly slang, with a quick tempo so as to ensure an easy and comfortable reading--ideal for when tired, but more so when under the weather. Together with a nice hot cup of tea (and some cookies), these stories are bound to cheer me up any time!

I particularly enjoyed those situations where Wooster tries to by-pass Jeeves' recommendations.  This will cause a strain in the relationship and lead to farcical circumstances -- but in the end, and in appreciation of Jeeves' solving yet another direful case, Wooster will succumb to Jeeves' original recommendation.

The character of Wooster is developed to resemble a teenager, having a go at criticising everyone and everything, but always in a good-natured manner.  He's still naive, tries to do the "honourable" thing and help his friends in need.  To that he almost always relies on the help of Jeeves, whom he clearly admires:
"There is no doubt that Jeeves is in a class of his own. In the matter of brain and resource I don't think I have ever met a chappie so supremely like mother made"

The stories also reminded me of the so-called "screwball comedies" during the 1930's and 1940's--there as here, the storyline is light but not silly, fast-paced, and the situation will inevitably lead to a happy end (after many, many intermediate steps, of course). 

I would say that Wodehouse has managed to capture the essence of the avant-garde (of mischievous youngsters) of his generation and give a faithful description of  challenges they faced.  This, together with the inimitable style of tempo, caricature and empathy, he has established himself in this genre even in our times...

Tuesday, March 13, 2012

Short Story Review: Xingu by Edith Wharton

Photobucket
Original Publication Date: 1916

Genre: Humorous short story

Topics: Society, manners, ladies' clubs, book clubs, authors,













Review: Guess what? Edith Wharton is funny! Not slap you in the face with a fish funny, but funny.

In the short story Xingu, six society ladies get together regularly to broaden their minds. It's a culture club they've named the Lunch Club. You can't just show up to a meeting and become a member, oh no, you must be recommended by someone important. While each lady has issues with one or more of the other members, they universally agree that Mrs Roby was a mistake. And she came so highly recommended, by a professor no less. Tsk-tsk.

Occasionally, they have in experts to give talks and contribute to the discussion. The ladies are all a-twitter over their next guest, author of The Wings of Death, Osric Dane. Mrs Ballinger will play hostess to the great lady, even though Mrs Plinth has a superior house (with a footman, thank you very much). The big day comes and the author arrives but she looks down her nose at the group leaving the ladies at a loss for words. They don't know what to do, until Mrs Roby starts talking about Xingu.

So what is Xingu? Don't Google it! (like I did) Really, don't. You'll find out what it is eventually. It's a lot of fun reading how the ladies bluff their way through the discussion. It reminds me of those people who lie about reading Ulysses to impress others. Not one of those women know what Xingu is, Mrs Rory excepted, but they are trying hard to convince each other they know exactly what it is.

I've always thought that Edith Wharton was part author, part sociologist. I can imagine her sitting in the background during a party with a notebook murmuring, "Interesting..." to herself as she scribbled notes about all the guests. She has the group dynamic down. Mrs Plinth is the bully, she likes to have her own way. Mrs Ballinger, founder of the Lunch Club, is her biggest competition, even though she only has two parlour-maids. Mrs Leveret will change her opinion to suit her audience, and Miss Van Vluyck and Laura Glade make the remainder of the group. The outsider is Mrs Roby.

Clearly Mrs Roby is the Cady Heron within this group of Mean Girls. However, she has enough confidence in herself to say what's on her mind. When Mrs Plinth tells her "No one reads Trollope now." She replies that she's just started and he amuses her. "Amusement," said Mrs Plinth,"is hardly what I look for in my choice of books." Mrs Plinth would not make a very good book blogger as she "so much disliked being asked her opinion of a book. Books were written to be read; if one read them what more could be expected?" That line made me laugh. I can't help but think that Edith Wharton had personal experience with a Mrs Plinth.

As for Osric Dane, she's one of those insufferable literati who think everyone else is an idiot- think Franzen and Oprah's Book Club. For a moment I was totally in the Lunch Club's corner. Then Mrs Roby has her revenge at last once the topic turns to Xingu.

Xingu is not the usual heavy fare from Edith Wharton and it's a nice change. I recommend it.